This ivory carving, dating from approximately 1150 to 1175 and originating in Britain, is a notable artifact crafted from walrus ivory and adorned with paint.
Initially, it was believed to be the missing base tablet of The Cloisters cross, and it bears striking similarities to that piece. The composition within this ivory represents a scene within the city walls of Jerusalem. It portrays the bound figure of Christ being led before the high priest Caiaphas for trial.
While it shares thematic elements with the cross, there are distinct differences in the style of this carving. The shallow relief and the use of schematic, less finely detailed figures set it apart from the artistry found on the cross. It is likely that this ivory was originally part of a larger narrative cycle depicting scenes from the life of Christ, rather than being solely focused on the crucifixion.
This ivory carving offers a glimpse into the artistry and religious narratives of the period, providing valuable insights into the artistic traditions and cultural context of 12th-century Britain.