Certainly, here's a rephrased version of the text you provided:
Cultural and Temporal Context: Originating from the Late Anglo-Saxon period, crafted in the 10th century
Excavation Location: Discovered in Europe, specifically in the British Isles, in the River Thames, England
Materials: Crafted from iron, adorned with silver, copper alloy, and copper elements
Description: This artifact is an iron seax, a type of knife or cutting tool. It features a straight cutting edge that runs parallel to the back, which is angled toward the point of the blade. The broad shank of the seax is offset relative to the blade.
Both sides of the blade are decorated with linear ornamentation created by hammering polychrome wire into the metal surface. Along the back of the blade on each side, there is a narrow rectangular panel bordered by two lines composed of twisted copper and brass wire strips. Below this panel and parallel to it, there is a deep median groove flanked by similar inlaid lines that include suspended brass triangles.
On one side of the rectangular panel, two texts are inscribed. These texts are separated by a herringbone pattern formed from silver and brass wire, along with fragments of a running lozenge pattern that includes silver and copper, as well as silver and brass twisted wire. Each lozenge pattern contains either a copper or silver blank. The first inscription consists of twenty-eight letters from the "futork" or runic alphabet. The second inscription, also in the runic alphabet, represents an Old English personal name, likely belonging to the owner or maker of the seax.
The other side of the panel is filled with a running lozenge pattern, similar to the pattern on the obverse side. However, the lozenge patterns here contain only silver blanks, and the triangular fields between each lozenge pattern feature copper triangles facing inward. The spine of the seax is inlaid with nine groups of short transverse lines made from silver and brass twisted wire. Toward the end of the panel, where it tapers to the tip, there is a vertical cut, and some of the decoration is missing in that area. However, a dashed dowel used for the inlay is preserved.